Venetian Beads and Pantone Winter Colors

Top10 colors Pantone Winter 2018/2019

I can skip the yellows….my least favorite and it is a hard color for us to make in Venetian Beads. The “Quetzal Green” had me a bit perplexed, but I looked it up and it could either mean

  1. a bird of the trogon family, with iridescent green plumage and typically red underparts, found in the forests of tropical America.
  2. the basic monetary unit of Guatemala, equal to 100 centavos.

So I am going with the bird, for me it is a “teal” and our G6 or G26 will give you a similar color.

And below is a chart that shows you how we use metals to give us the colors. Gold Foil always makes the color richer, Silver Foil makes the color brighter and White Gold Foil gives us a soft/satin look. The numbers you see below the color names are the numbers for the canes of glass we buy to make the beads.

Color Variation with Metals

We have our own series of numbers which we use. Had I been clever enough when we started, I would have used the Moretti numbers as it would make working with our bead makers easier. Our color codes table you can find online at Color Chart (Click Here)  So for each color of Moretti Glass, we use the prefix “G” “S” or “WG” to achieve the results. Our Spring and Summer Line drops the Prefix for gold, silver or white gold because we only mix Moretti Colors for these.

Making Beads is Hot Work

Having given you this detail guide, it is not quite so easy. Just so you know, each batch of glass as it arrives to our bead makers from Effetere (aka Moretti Glass) is slightly different. Reds are the most difficult of all. The amount of moisture in the air, the salt content of the air in the lagoon, the purity of the minerals used, and the heat at which they melt the minerals all contribute for a slight difference. And then there is the bead maker whose eye watches the bright red color, because that is the color of molten glass and knows just when it is ready. Again the temperature, how long they re-fire it and a myriad of other things affect the final bead. It is what makes these Murano Glass Beads!

From Canes to Murano Glass Beads for Jewelry

Our beads all take a similar path arriving here to have photography made, get names, assign Product Codes and finally to you.

A Peek Inside the Effetre Factory

We begin with the famous Effetre glass canes which are produced on the island of Murano in much the same fashion as hundreds of years ago. The Effetre factory is a secretive place and only a couple of times have I been allowed to have a camera inside. Few people are allowed inside, and I am always with a bead maker when we are selecting canes. Canes are sold in 10 kilo bundles, so locals expect to make a lot of beads! (There are a couple of “retailers” on the island who sell to some of the smaller artisans, at a higher price of course.)

Bundles of Effetre Canes

The making of the canes is  difficut task, but the real super stars of our beads are our dedicated bead makers who work in constantly staring into the flame, knowing exactly the right moment to wrap the molten glass around the mandrel. It takes a certain feel of the glass, knowing how the glass looks – when it is all glowing red. And did I say, you need to be able to turn the mandrel with one hand in one direction while controlling the flow of the molten glass with the other hand, a little like patting your head and rubbing your tummy at the same time.

Bead makers View

They work with few tools, certainly not delicate tools, the most important one is simply gravity. The few tools help with the shaping.

Pinchers – Forms

When making rounds, you need only gravity and these little forms which they use to center the roundness of the mass of molten glass around the copper mandrel. Easier said than done. Work too long and the glass becomes to hard to move.

Copper Mandrels and Forms for Rounds

The side view of the classic Murano/Venetian glass torch, known as a canello. The small tray to the side of the torch holds fritte, small polverized glass, which will be used to decorate the bead.

Torch from the Side View

When the day is done, and the beads have cooled for several hours, a helper cuts the excess of the soft copper mandrel off and they go into these sieve baskets and are put in the acid machine where the acid eats the copper mandrel from the bead, leaving the holes.

Beads Going to the Acid Machine

The beads are dried (or not) sometimes our bead makers are rushing and the beads arrive to us still slightly damp.

The last step is equally important, the boat that goes around the island picking up shipments. We need a strong partner who can get the shipments from the islands to the airport in Venice. From there they take varied routes to the US, where we start our part of this journey, making photos, assigning numbers, and finally when you choose them another trip through one of our shipping partners.

Whew, I am a little exhausted just thinking how difficult it is to get a 8mm Gold Foil bead to you!

Round 8mm Gold Foil Murano Glass Beads
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