Dead Soft, Half Hard, Hard – How to Understand Beading Wire Terms

I feel like we have answered this question before, but we keep getting it. Now those of you who know me, know that beads, specifically Murano Glass Beads are my field of expertise and anything to do with glass, Murano, Venice. So to answer this question I had to do a little sleuthing, naturally on the internet. I came to the beading world because – well because they made beads in Murano!

Choose Your Wire Based on What You Want To Make

The terms are used to inform you of the metal bending qualities of the wire. Hardness is actually just the measure of how much the wire resists bending.

  • Dead Soft is the most flexible, pliable and easiest to bend. It works great for wire wrapping, and forming spirals and free flowing designs. It will not make a right angle.
  • Half Hard gives resistance to forming, not easily shaped into those free formed spirals or designs.
  • Hard is just that, it can be forced into right angles but is too hard for soft curves or spirals.

From Wikipedia, comes the model used for analyzing the hardness of the wire.

“Since it is made of metal, wire has this same hardness property. Most modern manufacturers of jewelry wire make the wire with a defined hardness, generally a hardness of 0, 1, 2, 3, or 4. Historically, these numbers were associated with the number of times that the wire was pulled through a draw plate, becoming harder or stiffer each time it was drawn through the drawplate. A hardness of 0 meant that the wire had been drawn through only once and was as soft and as pliable as possible. A hardness of 4 meant that the wire had been drawn through five or more times and the wire was as stiff and as hard as possible. Most jewelry wire that is sold now is designated dead soft, half-hard, or hard, where dead soft is wire that is manufactured with a hardness of 0, half-hard is wire manufactured with a hardness of 2, and fully hardened wire is wire with a hardness of 4.

Dead soft wire is extremely soft and pliable. It can be easily bent and is excellent for making rounded shapes such as spirals. It is also excellent for wrapping wire around beads to make them look as though they are encased. The disadvantage of using soft wire is that the finished piece can be bent out of shape if not properly handled.

Half-hard wire is slightly stiffer than dead soft wire. Half-hard wire is excellent for making tight, angular bends, for making loops in wire, and for wrapping wire around itself. However, it is not very useful for making spirals. Finished pieces made with half-hard wire are usually more permanent than pieces made with soft wire.

Hard wire is very stiff and tends to spring back after being bent, making it harder to work with when using a jig; it cannot be used to make a spiral. Pieces made with hard wire have the advantage that they are not easily accidentally deformed.

As in many things, no single wire is perfect for all applications. Soft wire is easy to bend and shape, but the finished product may be bent out of shape if squeezed. Hard wire is difficult to bend but makes permanent shapes. Half-hard wire is a compromise between the two. Wire-wrapped jewelry can be made by wire which is initially soft, simplifying fabrication, but later hardened by hammering or by work hardening”.

Beadalon has the following chart showing the hardness of their craft wire.

Guide to Hardness

But then, even Dead Soft wire can be work hardened with proper tools and knowledge. So if you want to make some earwires and you have only dead soft wire. Working the wire will harden it. But it is absolutely easier just to buy the wire you need, but if you have an inspiration at midnight, there is a solution.

If you are really interested in the ability to work harden your wire, I suggest you buy some of each hardness so you have the feel for each and keep as a sample for while you are working the wire. If you over work the dead soft, it can break so it is good to know exactly how much you can work it. You can harden the wire (best on 22-28 gauge) using nylon jaw pliers and pulling the wire. We recommend you only harden the amount of wire you need for a project, otherwise you’ll need to keep it identified. Test the wire during the work hardening so you do not over stress it. Compare it to those samples of various hardness wire we suggested you keep*.

What you want to make will determine which wire you need. Working with Venetian Beads, we often use the 20 gauge wire which is “Half Hard” because our larger beads are heavy.

Beadalon’s German Style Wire which many of our customers use in wire wrapping jewelry falls somewhere closer to Half-Hard than Dead Soft, which is probably because it has a copper core giving it greater strength.

*NOTE: Always wear safety glasses when working the wire.

Click here to see our selection of Wire for Wire Wrapping

 

 

 

 

Working with Venetian Beads

Our beads are handmade and well, sometimes there are shards of glass left when the mandrels are etched out. I know many people think the holes are “drilled” but that would be so time consuming, hazardous to the health and we would break a ton of beads along the way.

Beads on Copper Mandrels

Rather, most of our beads are wound with molten glass over a copper mandrel. The short story here is that in the 20s one of the Murano bead making companies discovered, though exactly how is unknown, that copper would be consumed when exposed to nitric acid. Before that time, the beads were made on mandrels dipped in “fango” mud from the lagoon. So alas, the US did not discover bead release. This new process relieved workers from dipping countless rods in the fango (and obviously displaced some workers). Over time the new process required more sophisticated machines, and the environmental problems came to light. Now, the copper is recovered and the nitric acid must be recycled in environmentally friendly process.

Machine for Etching Copper

Some of the beads are more prone to this than others. Any bead with avventurina or Calcedonia, and our Nuvola beads tend to have more shards. The Nuvola have small polverized opaque white in them representing the “clouds”. Opaque glass, Avventurina and Calcedonia are more dense and melt at a different temperature than our transparent glass, so they tend to escape the bead. This etching process leaves small shards of glass as the copper is etched out. There are a couple of ways you can work this as you make jewelry.

Our PerlaVita Beads and sometimes those which have silver foil, we use the traditional coatings on stainless steel rods. It just takes longer and while you might not think about it, the consistency of the bead release makes the rod slightly larger or even a little lopsided. So we have to be more careful.

Mandrels Prepared with Bead Release

Beadcaps

They hide uneven surfaces and protect the wire or thread you are using as they provide a buffer between the glass and the thread. Classic Venetian Jewelry always had little beadcaps between the knots. They knew this was a good way to prevent the rough edges from cutting the thread (at least not right away). Even pearls will eventually cut the thread – as we all learn!

Classic Venetian Mosaic Bracelet Hand Knotted

Bead Reamer

We use the simple bead reamer on most all our beads when we are making jewelry. It takes just a minute and assures us that we have an even surface with which to work. Always wear glasses when you are using the bead reamer (both the manual one and the electric one). As little particles are thrown in the air. Don’t be afraid to work with the beads. It is good to dip them in water often as you are using the bead reamer (which is really a file) as this prevents heat build up and prevents loosing the lustre of the bead. You can even use this if you want to make the hole a little (very little) larger.

Bead Reamer

Round Diamond Drill

Less expensive, just as useful. You can find these at most hardware stores. Buy the diamond variety as it will last longer.

For the Serious Beader: – A Dremel

This is an investment you’ll use for years. I confess this is my “goto” for most everything. I can drill through plexiglass to make fixtures for our pictures. I can use the tool to clean the edges around the holes of our handmade beads. It is lightweight and rechargeable. You’ll have to order because I have not found it in hardware stores. Holes in leather, in stamping blanks. It also comes with a wire brush which has it’s own uses. (Sorry we do not sell them, but if you are interested I can give you some places to look.)

The Ultimate Beader’s Tool!

They all do the same job, make the holes nice and smooth. And make your beadcaps sit nicely for a well made piece of Venetian Glass Jewelry. Best of Luck!

Just a Bracelet to You, but…

Beading with Teens:

Late November we got a call at VenetianBeadShop from a Juvenile Detention Center asking if we could donate some beads for a Christmas program with about 10 girls. We were happy to do this.

But…then the call to ask if we could come and show the girls how to make a piece of jewelry. Ok, that required some thought, now we are not only responsible for some beads but an entire piece of jewelry and show girls who may never have made jewelry how to make it. The piece had to be easy to put together, no wire wrapping, no knotting, something everyone could do and in a short time as well as something they could feel good about as a finished project (no small task).

Security Checks:

Then came the bureaucracy, rules: 1) A complete list of everything we were bringing 2) Drivers License and 3) Consent to a background check.

There was no information provided other than the girls ranged from 13 to 18 and by early December the girls participating grew to 15.

OK, making jewelry requires tools – will the tools be allowed inside JV? Finally we decided on a memory wire bracelet which we precut and would need only glue for the ends. But what beads would they want?

Sorry to say, we decided to go more bling and less Venetian and we found ourselves in the aisles of craft stores a few times in the days leading up to the program with our investment growing daily. We wanted each girl to have the same components and by now we had decided to make 2 bracelets, one for the holidays and one for spring in aquas and blues and velvet bags to store them.

Trial Run in our Bead Shop Kitchen!

Trial Run:

As a trial run, my two granddaughters were given the kits and we timed how long it took them to make bracelets and how much help they needed. Our trial run was a great exercise as we discovered many of the beads would slip right over the bead on the end, so we opted for wire looping to close off the bracelets (oh no, can we take wire wrapping pliers inside?). And that we needed bead mats for each girl. (Fortunately we stock these.)

Not without a bit of anxiety, we headed off to JV – anxiety as to whether the girls would enjoy this program.

The anxiety was needless. Arriving a few minutes before the scheduled time, we were informed that the girls were waiting on us and anxious to get started. There is a school room inside with tables ideal for the class.

The counselors were impressive, though I am sure each day they go home needing a diversion – maybe beading?? Each girl introduced herself and told the group how she felt (a list of acceptable terms was handed to each girl). This was to help set the tone for the program and so the counselors would understand any behavior (I think). They were articulate and verbalized how they felt as well as why.

Some said “sad” because they were not going home for the holidays, or “angry” because their families had not come to see them or to pick them up. (If we had asked me to verbalize how I felt, it would have been intimidated and scared. The walk through the department to their dormitory did nothing to improve this.)

VenetianBeadShop.com Kits

They opened their kits and began working like Santa’s Elves. Each girl had a different approach, as those of you who teach beading know. 15 Girls and 15 different bracelets. Some opted for a single color and they swapped beads across the room and rummaged through the extra beads we carried. Unfortunately no cameras are allowed in the facility as the bracelets they made were beautiful, each one unique. And the bling factor was definitely a hit.

As they worked we talked about how the beads are made, how all jewelry is made. They were fascinated that many of VenetianBeadShop’s customers earn a living by making jewelry to sell and that our suppliers support their families in Italy by making beads. And that this is within their reach.

At the end of the program, the girls went around the room again describing how they felt while making the bracelets and for whom they made them. It was clear from their words that the diversion from hours of boredom was welcomed. It gave them some time away from the problems of their troubled lives. Some were made for family members, even if those same family members had not been to visit. And they were happy to have gifts they could give, after all they can’t go shopping. They were unanimous that they would like to make more jewelry.

This time, we got our turn to say how we felt: amazed at their resilience, at their ability to create and HAPPY to have spent time with them.

And we all know how making jewelry is therapeutic and maybe a bit addictive. And not necessarily just a bracelet…

Looking forward to our next visit.

(Sorry, we do no sell the kit – it was just random beads we had and bells/charms we bought to bling it out.)

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