Working with Venetian Beads

Making Beads at 2600F

Ever so often we have to remind ourselves that we are working with artisans who work with materials at 2600F in front of fire breathing torches for hours each day. They are not machines, nor robots. Each of beads is a small work of art with all the beauties and “defects” inherent in any product made by hand.

And we do not ask them to make just ONE perfect bead, we ask them to hundreds even thousands. Our largest order for one bead was for a department store and they HAND MADE over 100,000 of just one bead. I am sure they dreamed of these beads at night.

Our bead makers are top of the world in their industry, many counting 5+ generations in this industry with their family names written in the Libro d’Oro of Murano, the book was instituted in 1602, and from 1605 the heads of the Council of Ten granted the title cittadino di Murano to those heads of families born on the island.

They are so good at this they make it look easy, and try so very hard to respond to our every request for beads. If I can describe it, draw it, they can make it. So I try to remember these people know much more about glass than I will ever learn, but I am an eager student!

Bead Reaming – a necessary skill

So if you bead arrives with a less than perfect hole, a bit ragged – enjoy the art. There are a couple of things you can do if this offends your artistic design.

Bead Caps Protect Your Wire and String Materials

1) Use a beadcap – then you won’t see it, and it will help protect the stringing material. But of course beadcaps will have slight imperfections, even though they are machine made.

2) Ream the bead to the smoothness that you like.

We use a Dremel, not available in your local hardware store, but available online in many places. Use with a diamond drill bit, like the one you see here. If is lightweight and easy to use. As a caution dip the bead in water continuously so it doesn’t overheat when you use the battery operated dremel, otherwise you will be able to see the marks on the bead.

If you only bead for a hobby, then the hand reamer shown in the insert will be more than sufficient.

For more information on Making Murano Glass Beads, visit our website and informational pages at:

Venetian Bead Shop – How Our Beads are Made

All About Handmade Murano Glass Beads

 

 

 

 

 

 

 

Matte Your Own Venetian Beads

Before and After

One of our favorite ways to make a piece of Murano Glass Jewelry come alive is to use matte beads which gives you a contrast between our shiny Venetian Beads and the soft glow of the matte beads, a luster which resembles a Mother of Pearl glow. There are couple of ways to achieve this look, sandblasting, tumbling but the quickest, less expensive method is with etchall® a trademarked product sold in Stain Glass shops and some hobby shops.

We do sell some of our beads matted, but since it’s so easy, we think you’ll enjoy doing this in your workshop. It is also a cost saver as you do not need to buy both matte beads and the shiny beads, just buy the shiny and matte as you work.

Matte Your Own Glass Beads

To begin with, we use only etchall® Dip ‘n Etch, which you can find on our website in 4 oz bottles. Shop Now

It begins as a clear liquid but with use it turns dark as you can see in our bottle here as well. The color does not affect the ability to etch the glass.

For our Murano Glass (COE 104) it takes between 15 and 25 minutes to obtain that soft luste. Other types of glass you will need to experiment to find the optimal time.

The Process

We work with a much larger bottle of the liquid and pour into a small plastic (because it does not etch plastic) water bottle so that we can agitate easily and watch the process. Then we pour the liquid back into our larger container using a tea strainer to capture the now matte beads.

Rinse the beads thoroughly and allow to air dry.

NOTE: be sure to shake the container every couple of minutes to be sure the coverage is all over the bead. If you do not, you will have small marks where the beads touched, as the touching prevents the liquid from completely covering the bead.

NOTE: Do not use on any of our exterior foil beads as it will etch off the Gold Foil, Silver Foil.

Small Print

We would be remiss if we did not caution you about its use.

  • Do Not allow children to use.
  • Use on: glass, mirror, ceramic, porcelain, marble, or slate.
  • Re-usable: Yes
  • Disposal: Will not harm plumbing. Flush with plenty of water.
  • Wear gloves to protect your hands and certainly you do NOT want your jewelry to touch this.
  • Wear protective eye wear to prevent splashes which could damage your eyes
  • With use it will become discolored, but it still works.
  • Temperatures below 65F (18C) may form crystals. If this happens place closed container in warm water for several minutes.
  • NEVER PUT IN A MICROWAVE
  • Caution: Will etch porcelain sinks and tubs. Neutralize with water and baking soda before disposing in porcelain or ceramic sinks.
  • Consider yourself fairly warned that etching is NOT reversable.
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