Designing Murano Glass Beads

Basic Tool Forms for Murano Glass Beads

Customers sometimes think there is a giant warehouse in Venice/Murano stocked with the thousands of beads we sell. Well that would be fun, but it is not how it happens. Each bead we sell is ordered specifying color, foils, designs, shapes, sizes and then handmade one by one. 
Since 1993, we have learned a lot about making Murano Glass Beads, especially what we can and can’t do. The laws of physics have a lot to do with our possibilities as does the skill of our beadmakers, the material limitations and above all the flight of fantasy of ideas. The Muranese and Venetians have no limitation on inspiration and ideas. When we had a company copy our beads having them made in China, one of our bead makers, said “Don’t worry, I have a lot of ideas and I will make new designs.” And he did just that! 

All our bead share one thing in common. They are all Effetre (what is known as Moretti 104) glass canes. These canes are produced at the factory in Murano. They are sold around the world. We all use a common “language” that is the number that Effetre assigns to the canes.  And every bead makers knows that the 104 canes are compatible (well sort of – because mixing the opaque with the transparent can be tricky). Our bead makers just get to walk or take a boat over and buy them. I get to tag along sometimes if I am lucky. 
For all the beads, except the blown, hollow beads, we almost always use a tool because we need them to be sort of similar in size and shape. Having said that, no two will ever be the same. But we do have some basic starting points. From there, it is the artistic ability and fantasy that give us the beads.

Our standard rounds, squares, cubes in single colors, or single colors over 24kt Gold Foil, or .925 Sterling Silver or White Gold the same from each bead maker. However, if you show me a bead, I can tell you who made it, because each bead maker uses their own particular tools. These tools are made for us by Roberto Donà, who is known the world over for the quality of his tools, not only for bead making, but the big blow pipes, giant scissors that are used in the furnaces. He makes each tools according to the specifications of the person using it. He does have some stock of “standard” tools. And most bead makers around the world would jump at the chance to see his machine shop. Fortunately, I see it often. He even modifies tools I find in the US like our Crocus or our Vela Squares for the way we work there. He is a huge part of our bead making.
So the forms you see here are sort of our blank canvass. What to do then? 
We use foils, gold, silver and white gold as well as avventurina (a Murano exclusive as a patent is held by the same family for hundreds of years) and layers of glass, much like a painter would mix paints on his palette, just that our palette is at about 1733 degrees! The beads are painstakingly made one by one at these temperatures. While working the glass, it is all one color – red! 

There are so many variations possible, we have made bead cards which both our bead makers and us keep to make ordering a little more simple.  

Usually, I begin with a shape and then the color and decoration. The beads are painstakingly made one by one at temperatures around 1733 degrees. We decide the decorations together with the bead maker. And sometimes the bead card is just me gluing beads and writing down the colors. It is so much easier now than it was before technology. Now since they are +9 hours from me. I can send an idea to them before I go to bed and the next morning, they will have made a sample and we can proceed. Before, well we just guessed and faxed sketches….in black and white!

Some of you may recognize our SP13 Caramella line. We went slightly crazy, or maybe we drove our bead maker slightly crazy when we came up with this idea. This line is a mixture of several colors to and even though we write down the colors, each time we make them, they turn out a little difference because each bead maker puts their own interpretations on the bead. A little more of the underlying layer and less of our transparent over coat and we get a darker color. For some of our bead makers, it is what we write down at the kitchen table. I try to take exacting notes so we can re-order. And sometimes I get it right! Other times, well that is where our orphans originate.

Bead and Button Magazine and Show Calls It Quits

The news arrived unexpectedly a short email notice that Bead and Button, the beloved magazine is closing. No one in the industry had heard whispers of this. I quizzed everyone! But alas it was a “corporate” decision that “things are not as lucrative as they once were”. October will be their last issue and of course our last advertisement. We have advertised in the magazine since 1998, so a good 20+ years. It was our first advertisement buy and in those days, it was all about beading. And it was always a good investment.
The Bead and Button Show was in Milwaukee, Wisconsin in June of each year. We exhibited in the show only one year. It was difficult to get an invite and it conflicted with other business. But in 2013, we made the cut!  Usually we ship by truck to shows, but the Bead and Button Show was back to back to a show in Las Vegas, so our only solution was to drive 800 pounds of beautiful Murano Glass Beads from Las Vegas to Milwaukee….A real road trip. 

The show was amazing. We had exhibited at Tuscon for years, but there was a much more intimate feeling to Bead and Button as it was all under one roof, everyone was into beading and there were millions of classes. It was like a family reunion. And the sheer number of beads was exhausting.
I can’t question the thought process of the owners of the magazine and show (well actually I can). It appears that the decision stems from the same thing I see at every show. I keep saying we got to get some younger friends. And that the number of advertisers was decreasing as were the number of participants at the shows. I just wish some really innovative people had found a way to keep the magazine going and of course the show because I still believe there is a place for them both. Because there are many shows, and some may say too many. But the quality of this show, the teachers at the show were in a class of its own.
Bead and Button appreciated its advertisers and the people who wrote articles. Each year at Tucson for years they hosted a night to celebrate with their advertisers. For many years it was in the local museum. 
And if the COVID19 pandemic has taught us anything, it is that everyone needs a hobby, something you can do with your hand, something creative! to stay sane!
You can read the article written in the Craft Industry Allicance which quotes  Dan Hickey, CEO of Kalmbach Media. You can draw your own conclusion. (Click Here)
Now I am sorry I threw out all those old issues when we made our last warehouse move. 
And I wish we could have had a Farewell Party! Best wishes to everyone there in their future careers.

Another Crisis in Murano: Glass Furnaces Re-Start Costs

I always knew we in the Murano Glass, Venetian Glass and beads world were a small eco system. But COVID19 and the resultant shutdown of Italy, most specifically Venice and Murano have really brought it home. 
Venetians say we hate tourist and the annoyance to our daily lives they create. UNESCO says Venice can’t maintain the volume of tourist. The list of grievances goes on and on: 
1) we can’t get on a vaporetto because the entrance way is blocked by tourist who have no clue where they are going 2) we can’t get on a vaporetto because the tourist have piled more luggage than the explorers searching for the Northwest Passage 3) tourist eating take away food on the steps of a church or someone’s front door step 4) tourist taking a swim in the canal 5) tourist who behave badly or walk around Piazza San Marco in bikinis 6) tourist rentals that displace locals 7) tourist who do not respect the history of Venice. 

You get the point, pretty much everything the tourist does annoys someone and with valid reasons.

When Italy closed everything in early March, that put an end to tourist and not a surprise, it put an end to a lot of other things. Italians had a strict 200 Meter (656 feet) distance they could travel from their house except for the grocery store or the doctor and even then they had to download and print a document to show to the local police. Churches, bars, restaurants, coffee shops, bakeries, cafes, well everything an Italian holds near and dear was closed. 
And along with that all the tourist shops in Venice and Murano were closed which meant that there was no longer a demand for Murano glass. And this is where our little eco system fell apart. I had never thought much about how dependent those of us who sell Venetian Glass, Murano Glass, and Murano Glass beads were on this tourist business. Individually, none of us can support the island of Murano and the furnaces. But as an ecosystem, we all get what we need and we keep the furnaces burning…..until
Until we didn’t! The furnaces require a number of days to cool the furnaces without cracking everything. This article in Forbes of an interview with Fabiano Amadi of Ars Cenedese, a prestigious furnace in Murano supplying glass world wide gives you a pretty good idea of how difficult it was for them to shutdown and the hurdles they are encountering to reopen. Because even though Italy did it’s part and is now in a good place to re-open….The rest of the world did not match the strick shutdown and therefore many countries are still not allowed back in Italy, specifically the US. Which means that even though the shops in San Marco can open, there are not tourist to buy. Museums, malls and small galleries across the US are only just now able to open again with some restrictions, which means that the demand for Murano glass is still very low.

Read the Article in Forbes written by Rebecca Ann Hughes 

Dark Days For Italy’s Historic Murano Glass Industry

To keep a furnace working is expensive whether it is a gas or electric furnace. To create glass sculptures requires a crew of a minimum of 3 and depending on the piece 5 well trained glass blowers. Then there is the person who mixes the batch, from raw mineral elements and the time it takes to get a batch ready to work. Today most furnaces do not have sufficient orders from both Venice/Murano and foreign buyers to keep their furnaces heated. And without sufficient orders they face another shutdown of the furnaces and the days or weeks it will take on both sides of a shutdown plus the cost of repairs and maintenance.
From our beads perspective, we have only one furnace which creates all the glass canes we use, but they also depend on the orders of all the small bead makers and lamp workers of Venice and the surrounding areas as well as major suppliers of glass canes across the world. And since I can’t buy every bead every bead maker can produce, we need those shops selling jewelry in Venice and Murano to be ordering new jewelry creating a demand for more beads, more canes and of utmost importance, more work for the Muranese.
So I keep buying way more beads than we need. It helps feed families in Murano and Venice as well as helping make their rent payment and keep my little part of the ecosystem working for better days.

Celebrating the End of the Plague in Venice

Who knew something celebrated first more than 400 years ago could be so pertinent to our lives in the 21st Century?
The third Sunday of July is Redentore, a celebration of the end of the plague of 1575-1577 which decimated the population of Venice. More than 46,000 or about 25-30% of the population died in this period. 
Is any of this sounding familiar to you? 
This year, the world can identify with the crisis that struck Venice in 1575. With no modern medicine or scientific research, they understood enough to know that humans passed on the disease so the doctors wore protective cloating and the famous “doctor mask”. The invention of the masks as well as the protective cloak they were is said to have originated in Naples some years early and eventually became used all over Europe. They did not understand about germs, rather thought that it was the “miasma”, bad air which they thought was the cause. The doctors filled the grotesque beak with herbs and spices. The masks below are sold today in the shops in Venice are are certainly not as scary.

Il Redentore (the Redeemer) church was build as a votive (offering) in thanksgiving of the end of the plague. It is a magnificent church designed by Andrea Palladio, the famous architect from Padua, Italy.  It was commissioned by la Serenissima, the Republic of Venice and its cornerstones were laid in May of 1577.  Construction took some time and it was finished in 1592. 

It sits on the islands of Giudecca with a perfect viewing from Piazza San Marco. 
Each year since then, the citizens of Venice have celebrated the end of the plague with a solemn procession of the officials of the city (originally the Doge – now the Mayor) walk along with the patriarch of the city over a well constructed pontoon bridge. The bridge is constructed by the city and is open just in time for the long walk across the Giudecca Canal from a location just in back of the Santa Maria delle Salute (across the canal from Piazza San Marco). The bridge has a high section which still allows for the local vaporetti (boats) to pass as you can see in the picture above a vaporetto is just going under the bridge. Larger vessels are not allowed when the bridge is complete. The bridge is promptly removed during the night at the end of the 3rd Sunday and water traffic flows as usual.

<p id="In normal years, that is years with a global Corona Virus, it is the best Venetian party ever with boats filling the basin between Piazza San Marco and Giudecca loaded with good (and of course lots to drink). The festivities begin early with preparation of food taking days. Boats begin staking our their favorite places about 3 in the afternoon. About 9 pm a magnificent fireworks show begins and there is no bad seat in the basin of San Marco. But this year with Italy just emerging from their lockdown, there were no fireworks. There were tables along the shores with locals gathered just to enjoy the freedom of having dinner outside among friends.
‘Til next year, when we sincerely hope the celebration is indeed for the end of our current Virus.

Festa della Sensa, Venice Marriage to the Sea

The Festa de la Sensa is held each year to celebrate the marriage of Venice to the Sea. It was first celebrated on 9 May 1000 when the Doge Pietro II Orseolo conquered Dalmatia (parts of which are now known as Croatia) The second was in 1177 when The Doge Sebastiano Ziani, Pope Alexander II and the Holy Roman emperor, Frederick Barbarossa entered into the Treaty of Venice. The Pope took a ring from his finger asked the Doge to throw it into the sea, Each year, the Doge dropped a ring into the sea inscribed in Latin “We wed thee, sea, as a sign of true and everlasting domination.” Thus declaring Venice and the sea to be one.
 It is held on the closest Sunday to Ascension. This year, that is 24 May 2020 in the midst of the COVID19 pandemic.

An elaborate boat, representing the Bucintoro, but far from the elegance and grandeur of the original, is rowed to the Island of Lido  where the mayor of Venice performs the same ritual and a wreath of green is dropped into the sea. 
The Bucintoro is a replica as after the fall of the Venetian Republic on January 9, 1798, French soldiers cut the decorations of the boat into small pieces and took them across to the island of San Giorgio Maggiore and set fire to them to retrieve the gold.
The ceremony of May 2020 was held in a much smaller version with just the mayor and the patriarch of Venice and of course the rowers. It was held despite the ongoing virus concerns, reminding us all that Venice has endured: at least 2 plagues, assault from the other city-states of Italy, being conquered by Napoleon (albeit not a shot was fired – thank you Doge Manin). It survived under the rule of the Hapsburg’s, survived World War I and II, and its traditions continue. 
Venice will endure.

Update from Murano

The latest from Murano during their shut down. They are in their 9th week and now a few things are beginning to open. It is a welcome for everyone, that they may, hopefully, begin getting their espresso and cappuccino again soon.Venice has been extremely fortunate to have few cases of COVID19 and still in Murano, we do not hear of even one case.
But the impacts of the shutdown of everything, and the lack of tourist has a ripple effect throughout the community. Now I know I like to complain about the quantity of tourist, their lack of sensibilities, their lack of respect of monuments, buildings, and especially their lack of respect the older people of Venice. 
BUT, the fact is that Venice and Murano need the tourist. It is their main source of income. The restaurants (like the restaurants all over the world) are suffering during this and no expenses do not stop just because you are closed. The bills for rents, mortgages, utilities, insurance and I am sure there are others continue to arrive in the post. 
So I have been strategizing with them on ways I can help once they are back open. Yet the larger issue is when will the tourists return. 
So here again is a letter from my dear friend who sees the future as bleak at this moment. What I want you to get from this is the sincerity with which Venetians, Muranese (even the men) can speak. They are not afraid to show emotions whatever they may be. It is part of why I love this little piece of the earth so much. And we’ve been through many years together, marriages, divorces (yes occasionally even in Italy), births, first communions, birthdays, and sadly, deaths in our families. Yet through all of this they speak from their heart, with compassion….We could all learn a lot.

What Are the Different Types of Murano Glass Beads?

With an endless array of stunning colors and unique designs, Murano glass beads are a beautiful choice for many different types of jewelry.

If you’re new to the world of these gorgeous beads, there are several different types that each have their own distinguishing features.

Read on to learn more about the variety of Murano glass beads available so you can decide which style suits you best.

A Brief History of Murano Glass Beads

These beautiful beads are known worldwide for their stunning colors and clarity. The beads were originally called “conterie,” which is a word that originates in Venice. You may also hear these mystical beads referred to as Venetian glass beads.

For centuries, these stunning beads have been worn as jewelry in may forms. Whether it’s a pair of earrings or an elegant necklace, the wealthy could be seen sporting Murano glass jewelry hundreds of years ago.

The history of these beads is hard to decipher, but many indigenous tribes have been known to wear them. Because of colonization by the Spanish, French, Dutch, and English, the beads were given to the natives as gifts or tokens of peace.

Some historians believe that Murano glass beads were given to tribes in order to take them over and conquer their native lands. Others feel they were given as a token of friendship. Regardless, it’s clear that Murano glass beads have been a part of the world’s history for many, many centuries.

Seed Beads

Thanks to their tiny seed-like size, seed beads are a wonderful choice for jewelry making. These tiny glass beads come in a myriad of colors that range from sunny yellows to rich reds and vibrant blue.

Seed beads are crafted using a long, thin rod made of hollow glass that can be several yards in length. The maker cuts the rod into tiny pieces, and the small hole in the middle makes it easy to string to make bracelets, necklaces, and more.

After the seed Murano glass beads are cut, they are fired until the glass starts to soften slightly. This process is what gives the tiny beads a smooth, rounded edge and helps to remove any leftover glass or rough edges.

Once the beads are cooled, they’re hand-cut and might be made in slightly different shapes and sizes. The beauty of seed beads is that authentic ones have a unique appearance as opposed to mass-produced beads.

Every real Murano glass seed bead has its own unique look. The itty-bitty beads are perfect for making dainty and colorful necklaces and bracelets since they’re easy to string.

Chevron Glass Beads

The first chevron glass beads were made in Venice and Murano, Italy near the end of the 14th century. You may also hear chevron beads referred to as rosetta or star beads.

Chevron beads start out as glass canes that are shaped using star-shaped molds and often contain several layers of alternating colors. Most Murano chevron beads have about six different facets, but older designs may contain four to size layers of color.

Today, these intricate beads are still made in various regions of Italy. What makes these stunning beads so unique is their multiple layers of colored glass. The cored of the bead consists of a molten ball of glass called a gather that is melted in an extremely hot furnace.

Once the glass is melted, the glassmaker blows an air bubble into the center using a blowpipe to create an opening. This opening is what makes the colorful glass design a bead used in jewelry making.

Chevron beads were first used by Dutch merchants as far back as the late 15th century. Many of the first beads were exported to West Africa and the Americas and featured layers of white, blue, and red or green, black, and yellow.

Lampwork Beads

Perhaps one of the most well-known styles of glass beads, lampwork refers to the Venetian addition known as “lume,” which translates to “at the lamp.” These unique beads are worked directly over a flame, and the same technique has been used to make them for thousands of years.

Lampwork beads can have an elongated, ovular shape or they may be stout and round. You can also find Murano glass lampwork beads made in squares and many other designs.

The labor-intensive process to make lampwork beads involves first creating the core of the glass bead using a furnace to melt the material. Next, the delicate bead is re-heated using a lamp (or blowtorch today) to create fine wisps of colored glass.

As the heated glass begins to soften, artists delicately move sections of the glass away from the core to give it multiple layers of color and texture. Additional pieces of glass can be added to create a new design and more color to the bead.

Beautiful Beads of Glass

From tiny seed beads to lampwork and chevron, there are plentiful styles of Murano glass beads to choose from. This age-old process involves a skilled hand and a dedication to the craft to produce awe-inspiring jewelry.

With a rich history, it’s easy to see why these stunning beads are still so popular today. Whether it’s a seed bead necklace or a lampwork glass bead bracelet, nothing compares to the beauty of authentic Murano glass.

To shop our selection of beads and much more, visit our website or contact us today for more information about our beads and accessories.

Everything You Need to Know About Murano Glass

What can people do with glass? We use it to make windows, mirrors, bottles, jars, tableware, tables, covers for watch faces, and more — including, of course, beads. Two distinct items can even be referred to as “glasses” — namely, the vision aid and any cup made from the material. Glass is practical for all of these uses because it is a hardy material in its final form, but can be formed into all kinds of shapes during its creation.

Also notable, though, is a less functional kind of glasswork. Ever since people first began heating and cooling sand, they have molded the material into beautiful and beautiful works of art. Consider the stained glass windows adorning medieval churches, or the more abstract sculptures from modern times. One form stands out for its ability to combine the aesthetic with the functional: Murano glass, a centuries-old artisanal tradition and the subject of this special article.

What is Murano Glass?

Murano glass gets its name from a chain of islands in the Venetian Lagoon. It is also known as Venetian glass for this reason, though the islands lie about a mile north of the mainland city itself. Archaeologists and historians believe the tradition to stretch back one-and-a-half millennia, originating from trade with merchants from the Middle East and the Byzantine Empire. Learning from those regions, Venice soon became the first European capital for glassmaking. Royals and nobles from across the continent considered Murano products a sign of luxury.

In fact, the islands comprising Murano received legal designation as the only place in Venice for factories and artisan shops. This move was partly done because keeping the fiery furnaces away from the rest of the town would prevent fires from spreading. Perhaps a more important reason was to help keep knowledge of their glassmaking technology and techniques away from outsiders, raising the value of their exports. Venice prized their secrets so much that glassmakers needed permission simply to leave the city.

As time passed, other European countries developed their own glassmaking methods, decreasing demand for Murano products. Napoleon Bonaparte’s conquest of Venice in 1797 ended the republic whose laws protected the glassmakers. His closure of the factories ten years later halted nearly all production. Thankfully for world culture, a revival began in the late 19th century. Now, Murano’s artisanal tradition is still going strong. Their unique techniques continue to dazzle.

What Makes Murano Glass So Special?

Although other countries, companies, and craftspeople have their own methods for making glass, none are quite like the method for making Murano glass. Their process involves mixing silica sand — approximately 70% of the batch — with a variety of substances. The precise identities of all the ingredients remains a well-kept community secret. Whatever they may be, their combination has the effect of lowering the required temperature for the glass to melt and take a liquid form.

This one change in its aspect makes for consistently high quality, something on which the artists behind Murano glass pride themselves. Moreover, they can more easily shape the paste into the forms and shapes they want. All kinds of household wares and decorations have been made from this type of glass. Popular examples of the artisans’ creations include glass horses, pristine chandeliers, ornamented mirrors, and cristallo chalices, among many others.

One element that can make Murano glass works stand out is the color. The material is clear and devoid of color on its own, but certain chemicals and minerals can be added to enhance its brilliance. Only a faint trace of selenium, for example, is necessary to spread billows of red through the glass. The colored sections, which can be shaped to create dazzling designs, are themselves transparent. They create new artistic possibilities without tarnishing or compromising the Murano glass. These color effects combine with the intricate sculpting to produce truly stunning works of art.

What are Murano Glass Beads?

The bead is another noteworthy product that can be made from Murano glass. They are as diverse as anything else made from the material, coming in an array of designs, sizes, and glassmaking styles. For centuries, the island’s artisans have worked to refine the process, using copper mandrels to create the beads one at a time. They string the glass paste around metal tubes, making holes so the finished product can be used as jewelry. They then stack layers of colored glass until it takes the desired appearance.

On that note, beads depend greatly on color. Most other Murano glass products, which may have a specific function and a more complex form. A clear cup retains an appeal that a colorless bead does not. As a result, you can find beads with all kinds of stunning color mixtures. No two are exactly identical in coloring because they are made individually, and also because of the sensitivity of the ingredients that create the colors. Artisans must mix and handle them carefully and wield the color canes with great care.

The vibrancy and quality of these glass droplets have given them an enduring popularity all over the world. Even in the dark period following Napoleon’s shutdown of the factories, global demand for beads allowed Murano glassmakers to scrape by and preserve their methods. It seems that any form of art can last, as long as there are those who learn about and appreciate them.

Where Can I Find Murano Glass Beads?

If you are searching for Murano glass beads of your own, then your search is already over. As you could guess by our name, Venetian Bead Shop specializes in beads made with this special and beautiful process. Every product available on our online store is forged, fanned, shaped, and colored by genuine artisans in Venice and the islands of Murano. Our relationship with these geniuses spans over a quarter-century, and their knowledge and methods have been passed down over generations. If you place an order with us right away, you will soon possess their high-quality, completely authentic masterworks.

Venice As You Have Never Seen It

Venice during this period of shut down is incredibly beautiful. Thanks to Andrea Rizzo a Venetian photographer who shared this video. .
Even Venetians are not getting out to enjoy the beauty of their city. They can only go to the grocery or pharmacy, otherwise they cannot be further from their house than 200 meters. Fortunately, the canals are within that range and we are getting lots of pictures showing the clear water, seeing the fish swimming., that we had no idea were living right beneath the boats. I am glad that Andrea documented this brief tranquil moment in Venice. 

Letter from Murano

Since we started importing some 30 years ago, my suppliers have become like family to us. And by extension their families feel the same way. This is an extremely difficult time for Murano whose lifes and livelihoods have been threatened many times in history. The older generation can still remember World War II and the aftermath of a devastated economy. And World War II was upon them even before they recovered from WWI. 
One of my friends in Murano sent me this very lovely message. A man of very few words, I was so touched by his concern for Murano, all the small businesses, restaurants, bars, artisans and yet, still able to see the beauty in the lagoon. And his concern for us.

It is a time in the world when we should stand together.

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